With infinite gentleness, Pauline Loquès signs her first film, which approaches illness without pathos, as an intrusion that disrupts the relationship with life. The narrative draws its strength from the character's lack of a past: the spectator receives him as he reveals himself, over the course of four suspended days. Carried by Théodore Pellerin's visceral interpretation, who was awarded a César for most promising actor, Nino is also a luminous film about hope.
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