Howa walla heya today embodies the renaissance. Between the country of origin and the land of exile, identity fractures and metamorphoses. Neither fully from here nor from there, the artist learns to inhabit the in-between – between her and him – and to turn lack into presence, movement into a new anchor. This solo explores the وجيعة, a deep and multiple pain: leaving one's country, living with HIV, discovering oneself after the break and the distance.
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